Week Thirty: “Trifles/A Jury of Her Peers” by Susan Glaspell, “Abandoned Farmhouse” by Ted Kooser, and “The Listeners” by Walter de la Mare



“A Jury of Her Peers” by Susan Glaspell

“A Jury of Her Peers” is a short story by Susan Glaspell, loosely based upon an actual murder in 1900.
Glaspell covered the news story while working as a journalist for the Des Moines newspaper in Iowa.
In 1916 Glaspell wrote the account as a one-act play entitled “Trifles” for the Provincetown Players.
She later adapted it into the short story presented here for you today.
This story is often anthologized in “Best of” compilations. Glaspell would later go on to win a Pulitzer Prize for her other work.
Join Mrs. Hale and Mrs. Peters as they investigate a run-down home where something went terribly wrong, in “A Jury of Her Peers!”



What do you think happened?

Study Questions:

  • Why is this psychological play named “Trifles?”
  • Explore the title “A Jury of Her Peers.”
  • Why was this considered an early feminist play?
  • What does the first sentence reveal about the character of Mrs. Hale, and how is this fleshed out or supported by later descriptions of her character and thought process, in the story?


. . .A bit about Susan Glaspell . . .



Photograph of Susan Glaspell taken by Alfred Eisenstaedt for LIFE Magazine, 1940

According to a brief biography by Krystal Nies, Susan Glaspell was born in Iowa and raised by a conservative family with a modest income.

After receiving a degree from Drake University, she became a reporter for the Des Moines News. According to the Susan Glaspell Society, she worked as a reporter for less than two years, then quit the job to focus on her creative writing. Her first two novels, The Glory of the Conquered and The Visioning were published while Glaspell was in her 30s.




The Provincetown Players

While living and writing in Iowa, Glaspell met George Cram Cook, the man who would become her husband. Both wanted to rebel from their conservative upbringing. They met in a socialist society during a time when Cook had divorced for a second time and longed to experience a rural, commune lifestyle. However, his series of divorces conflicted with the traditional values of Iowa, and so the newly married couple traveled to Greenwich Village. (Susan Glaspell Society).

According to “The Greenwich Village Bookshop Door,” Cook and Glaspell were the creative force behind a new style of American theater.

In 1916 she and a group of writers, actors, and artists co-founded the Provincetown Players. Both Glaspell and her husband, as well as other drama icons such as Eugene O’Neill, created plays that experimented with both realism and satire. Eventually, the Provincetown Players gained fame and economic success which, according to Cook, led to disagreements and disenchantment.

Glaspell and her husband left the Players and traveled to Greece in 1922. Cook, shortly after achieving his life long dream to become a shepherd, died two years later. Glaspell returned to America in 1924 and continued to write. Her work focused more on her best selling novels, but also included a Pulitzer Prize winning play, Alison’s House.



The Origin of “Trifles”

“Trifles” is currently Glaspell’s most popular play. Like other works of early feminist writing, it was rediscovered and embraced by the academic community. One of the reasons for this short play’s enduring success is that it is not only an insightful commentary on the different perceptions of each gender, but it’s also a compelling crime drama that leaves audiences discussing what happened and whether or not the characters acted unjustly.

While working as a journalist for the Des Moines Daily News, Susan Glaspell covered the arrest and trial of Margaret Hossack who was accused of murdering her husband. According to a summary by True Crime: An American Anthology:

“Sometime around midnight on December 1, 1900 John Hossack, a well-to-do, 59-year-old Iowa farmer, was attacked in bed by an axe wielding assailant who literally beat out his brains as he slept. His wife became the prime suspect after neighbors testified to her long-simmering hatred of her abusive spouse.”

The Hossack case, much like the fictionalized case of Mrs. Wright in “Trifles,” became a hotbed of debate. Many people sympathized with her, seeing her as a victim in an abusive relationship. Others doubted her claims of abuse, perhaps focusing on the fact that she never confessed, always claiming that an unknown intruder was responsible for the murder.

True Crime: An American Anthology explains that Mrs. Hossack was found guilty, but a year later her conviction was overturned. The second trail resulted in a hung jury and she was set free.¹



Learn more about Susan Glaspell at The International Susan Glaspell website.

“Abandoned Farmhouse by Ted Kooser


Looking for a pairing for this week’s story, “A Jury of Her Peers?” If so, here’s another poem by Ted Kooser: “Abandoned Farmhouse.”

Abandoned Farmhouse
By Ted Kooser

He was a big man, says the size of his shoes
on a pile of broken dishes by the house;
a tall man too, says the length of the bed
in an upstairs room; and a good, God-fearing man,
says the Bible with a broken back
on the floor below the window, dusty with sun;
but not a man for farming, say the fields
cluttered with boulders and the leaky barn.

A woman lived with him, says the bedroom wall
papered with lilacs and the kitchen shelves
covered with oilcloth, and they had a child,
says the sandbox made from a tractor tire.
Money was scarce, say the jars of plum preserves
and canned tomatoes sealed in the cellar hole.
And the winters cold, say the rags in the window frames.
It was lonely here, says the narrow country road.

Something went wrong, says the empty house
in the weed-choked yard. Stones in the fields
say he was not a farmer; the still-sealed jars
in the cellar say she left in a nervous haste.
And the child? Its toys are strewn in the yard
like branches after a storm—a rubber cow,
a rusty tractor with a broken plow,
a doll in overalls. Something went wrong, they say.

Ted Kooser, “Abandoned Farmhouse” from Sure Signs: New and Selected Poems. Copyright © 1980 by Ted Kooser.

Learn more about Ted Kooser HERE.


“The Listeners” by Walter de la Mare


Music by Bernd Wahlbrink

Did you know Ted Kooser received inspiration for his poem “Abandoned Farmhouse”  from an actual farmhouse he passed on his daily morning walks? And he received inspiration from Walter de la Mare’s “The Listeners.”

“The Listeners”

“Is there anybody there?” said the Traveller,
Knocking on the moonlit door;
And his horse in the silence champed the grass
Of the forest’s ferny floor;
And a bird flew up out of the turret,
Above the Traveller’s head:
And he smote upon the door again a second time;
“Is there anybody there?” he said.
But no one descended to the Traveller;
No head from the leaf-fringed sill
Leaned over and looked into his grey eyes,
Where he stood perplexed and still.
But only a host of phantom listeners
That dwelt in the lone house then
Stood listening in the quiet of the moonlight
To that voice from the world of men:
Stood thronging the faint moonbeams on the dark stair,
That goes down to the empty hall,
Hearkening in an air stirred and shaken
By the lonely Traveller’s call.
And he felt in his heart their strangeness,
Their stillness answering his cry,
While his horse moved, cropping the dark turf,
‘Neath the starred and leafy sky;
For he suddenly smote on the door, even
Louder, and lifted his head:–
“Tell them I came, and no one answered,
That I kept my word,” he said.
Never the least stir made the listeners,
Though every word he spake
Fell echoing through the shadowiness of the still house
From the one man left awake:
Ay, they heard his foot upon the stirrup,
And the sound of iron on stone,
And how the silence surged softly backward,
When the plunging hoofs were gone.



. . .A bit about Walter de la Mare . . .


Photograph of de la Mare by Lady Ottoline Morrell

Walter John de la Mare (25 April 1873 – 22 June 1956) was an English poet, short story writer and novelist. He is probably best remembered for his works for children, for his poem “The Listeners”, and for a highly acclaimed selection of subtle psychological horror stories, amongst them “Seaton’s Aunt” and “All Hallows”.

His 1921 novel Memoirs of a Midget won the James Tait Black Memorial Prize for fiction,and his post-war Collected Stories for Children won the 1947 Carnegie Medal for British children’s books.


Walter de la Mare was also a notable writer of ghost stories. Although de la Mare wrote a number of them, only a select few are considered to aspire to elicit terror in the reader, with most instead essaying a type of dream-like melancholy and mystery. His collections Eight Tales, The Riddle and Other Stories, The Connoisseur and Other Stories, On the Edge and The Wind Blows Over all contain a few ghost stories each.
¹Biographical information about Susan Glaspell from THOUGHTCO.







Week Seven: Two Adventures of Sherlock Holmes and an interview with Lee Jackson, Author of Dirty Old London: The Victorian Fight Against Filth



This week The Wonderlings went on a fabulous journey of the mind (or perhaps mind-palace?) to Victorian London; to visit no other than the renowned tenants of 221 B Baker Street. It’s elementary, my dear reader!

Sherlock Holmes is a fictional private detective created by British author Sir Arthur Conan Doyle. Known as a “consulting detective” in the stories, Holmes is known for a proficiency with observation, forensic science, and logical reasoning that borders on the fantastic, which he employs when investigating cases for a wide variety of clients, including Scotland Yard.

No study of the short story would be complete without a foray into the country mansions and city opium dens where Holmes and Watson solved each adventure.

Though not the first fictional detective, Sherlock Holmes is arguably the most well-known, with Guinness World Records listing him as the “most portrayed movie character” in history.

Conan Doyle repeatedly said that Holmes was inspired by the real-life figure of         Joseph Bell, a surgeon at the Royal Infirmary of Edinburgh, whom Doyle met and had worked for as a clerk. Like Holmes, Bell was noted for drawing broad conclusions from minute observations. However, he later wrote to Doyle: “You are yourself Sherlock Holmes and well you know it”. Sir Henry Littlejohn, Chair of Medical Jurisprudence at the University of Edinburgh Medical School, is also cited as an inspiration for Holmes. Littlejohn, who was also Police Surgeon and Medical Officer of Health in Edinburgh, provided Doyle with a link between medical investigation and the detection of crime.


Excerpt: Chapters from A Study in Scarlet

As a warm-up for Holmes 101 it may be useful to check out Chapters One and Two of the novel A Study in Scarlet by Sir Arthur Conan Doyle. It established Watson as the narrator and is our very first glimpse into the mind of Mr.Holmes. It’s also our first glimpse into Holmes’s interest in forensics.  Enjoy!  http://www.read.gov/books/sherlock_holmes.html

“The Adventure of The Abbey Grange”

“The Adventure of the Abbey Grange” which first appeared in The Strand Magazine, takes place in the bitter winter of 1897. There’s a new case. Holmes is known for his critical reasoning and his ability to secure proofs which are based on facts. Yet what happens in this story?

“The Man With The Twisted Lip”

For the second story of the week we explore “The Man With The Twisted Lip.”

It’s the sixth of the twelve stories in The Adventures of Sherlock Holmes. The story was first published in the Strand Magazine in December 1891. Doyle ranked “The Man with the Twisted Lip” sixteenth in a list of his nineteen favorite Sherlock Holmes stories.

Dr Watson is called upon late at night by a female friend of his wife. The woman’s husband has been absent for several days. Let’s travel together now, to explore some of the seedier side of Victorian London, as we read Sir Arthur Conan Doyle’s “The Man with the Twisted Lip.” Enjoy it here.

It may also be of interest to peruse a project called Reading Sherlock Holmes, from Stanford University: http://sherlockholmes.stanford.edu/history.html

A bit about Sir Arthur Conan Doyle:

Arthur Ignatius Conan Doyle was born on May 22, 1859, in Edinburgh, Scotland.

He was a British writer and physician, most noted for creating the character Sherlock Holmes and for his detective stories which are generally considered milestones in the field of crime fiction.

He is also known for writing the fictional adventures of a second character he invented, Professor Challenger, and for popularising the mystery of the Mary Celeste. He was a prolific writer whose other works include fantasy and science fiction stories, plays, romances, poetry, non-fiction and historical novels.

In 1876, he began his medical studies at the Faculty of Edinburgh.

Dr. Joseph Bell

 Per The Arthur Conan Doyle Encyclopedia, here he met two men who influence the choice of his future novel hero: Professor Rutherford, whose Assyrian beard, booming voice and broad chest, inspire him Professor George Edward Challenger  and Dr. Joseph Bell, Professor of Surgery, whose amazing deductions on his patients and their diseases did germinate the idea of a detective using the same methods.

In 1887, he wrote his first Sherlock Holmes adventure, A Study in Scarlet.

In august 1889, during a dinner hosted by J. M. Stoddart, an American agent of the Lippincott’s Monthly Magazine, Conan Doyle and Oscar Wilde were hired to write two stories. Published in 1890, Wilde wrote The Picture of Dorian Gray and Conan Doyle The Sign of Four, the second adventure of the detective. The same year, the Conan Doyles stayed a few months in Vienna for Arthur to improve his medical knowledge. Back in England, they moved to London on Montague Place and the young doctor’s office opened at 2 Devonshire Place. Patients were still scarce, and Conan Doyle took up the pen again.

In January 1891, discovering the first issue of The Strand Magazine, he decided to write and propose new adventures of the detective, including A Scandal in Bohemia and The Red-Headed League. He then provided five other short stories and renewed his contract for six additional stories at the rate of one per month.  (The Arthur Conan Doyle Encyclopedia)  . . .but as we all know, The story of Holmes would not end there.

Any appreciation of the Victorian London streets, the history of the detective novel, or a study of methods of critical reasoning, logic, fallacy or forensic methods would not be complete without a visit to 221 B Baker Street; therefore we include Doyle in our syllabus and encourage all to further peruse additional stories.

For a more detailed and illustrated biography, please see The Official Site of The Sir Arthur Conan Doyle Literary Estate here.

Lots of information on Doyle and his work can also be found in The Sir Arthur Conan Doyle Encyclopedia, here.


The Granada Television production

The Wonderlings Interview Lee Jackson, Curator of  The Online Dictionary of Victorian London and Author of Dirty Old London: The Victorian Fight Against Filth!


Lee Jackson is the author of Dirty Old London: The Victorian Fight Against Filth. His online Dictionary of Victorian London is often consulted on social history by universities offering courses on the topic of the Victorian novel. It’s a faithful and fascinating resource.


Lee Jackson. Photo from Yale University Press

He has been interviewed by NPR as well as The New York Times, The Wall Street Journal, The Guardian and many others.

He’s also written seven historical crime novels (published in the UK and France); two anthologies about Victorian daily life; a coffee-table book; and, most recently, a guide to Walking Dickens London.

As we follow Sherlock and John through the famous London fog (composed of pollution from the burning of bituminous coal), the author agreed to ANSWER SOME OF OUR MOST PRESSING QUESTIONS about everyday life in dirty old Victorian London.

Q and A

TW: At this particular time in history, I am wondering how London compared to other urban areas in the West? Was London the most developed metropolis of its day? (Rome did always refer to the English as barbarians didn’t they?) -Jeri Harbers Thomson:

LJ:  London in the 1880s/1890s (classic Holmes period) was the biggest city in the world, with a population well over five million people. It was the centre of the British Empire, with massive import/export trade through the London docks, taking raw materials from the West Indies, Africa and Asia, converting them into finished products, and selling at home and abroad. The underground railway network was developing quickly, and rail (underground and overground) made possible extensive suburban commuter-belts; so transport was excellent, albeit the central streets were often highly congested with horse traffic. From a health point of view, London had benefited from a pioneering mid-century sewer project, which effectively eradicated water-borne disease like typhoid and cholera; but, on the other hand, it was now heavily polluted by coal smoke, which led to the infamous occasional ‘pea-soup’ fogs, but also a pervasive filth, which turned everything grey/black, from trees in the parks, to one’s clothing. Paris was the nearest comparable metropolis, but New York was growing fast in terms of size and population and would overtake London in the next century.

TW: I see that Doyle was into “spiritualism” – fairies, belief in otherworlds. Was spiritualism popular at that time in London? What exactly is spiritualism? – Rick Williams

LJ:  Spiritualism was the idea that ‘mediums’ – persons of particular ‘sensitivity’ – could communicate the spirits of the dead. Two sisters in New York really kickstarted the interest in this (see https://en.wikipedia.org/wiki/Spiritualism#Origins  ) Many Victorians mocked this nonsense; see my site for examples http://www.victorianlondon.org/religion/spiritualism.htm  but others made it into a lucrative business, charging for seances etc. There was a renewed interest in spiritualism after the countless deaths of young men in World War One. Conan Doyle’s enthusiasm ties into this, although apparently he was interested in the subject even before the death of his son in the war.

TW: During World War I did the amount of horse dung decrease in the streets of London? And when the war was over were the men who returned put to use on any city sanitation projects or improvements projects? –   David Delaney

LJ:  The amount of horse dung (predictably) decreased with the advent of the motor-bus and motor-car, which began to really take over in the 1920s (although you could still see horses in London streets in the 1950s). I don’t know of ex-soldiers working on sanitary projects – it’s a little after my period of study. Not everyone saw the car’s potential, though. This is a quote from 1896:

“One of the most entertaining features of this revived interest in what it is the fashion to call automobility, is the series of laments as to the supersession of the horse expressed in almost exactly the same terms as in Trevithick’s day. The railways also were to have wiped out the horses, but have they? There are more horses now than there ever were.

TW: “Could Mr. Jackson relate what he knows of the lives and importance of chimney sweeps in the Victorian era? -Anna Schantz

LJ:  There’s half a chapter in my book Dirty Old London on chimney-sweeps. Basically, sending boys (for the most part, rather than girls) up chimneys, to clean out blockages of soot, was standard practice in the eighteenth and early nineteenth century. In some cases these tiny children were squeezing into spaces not more than nine inches square. They often went up naked (clothes got torn and snagged) and developed nasty wounds and lesions (including, in later life, cancer in the groin, thanks to exposure to the soot). The cane poles and brushes you see in Mary Poppins were invented in the early nineteenth century, but people were used to sending children, and it took a while – and repeated efforts at forming suitable legislation – to stop the practice of using these ‘apprentices’. It was a nasty trade: the only ‘apprenticeship’ where the employer paid the parents to ‘take on’ a child (it was usually vice versa), because it was so brutal. It was finally stamped out in the mid-nineteenth century, with only very rare instances of children being used after that (and certainly not by Holmes’s time).  There’s a biography of a sweep you can read here https://www.amazon.com/exec/obidos/ASIN/B00IEN2H0Q/victoriandict-21/

TW: Can you speak a bit about the forensic investigations of Doyle’s day? Were people really writing monographs the way Holmes was always doing? Did the medical colleges or Scotland Yard take any of the Holmes methods seriously?  – Celeste Schantz

LJ:  Certainly you get post mortems and chemical investigation of stomach contents in poisoning cases in 19C (I recall it from a detailed account of the Madeleine Smith case https://en.wikipedia.org/wiki/Madeleine_Smith ). The use of  photographs of convicted criminals was becoming common from the 1870s onwards. Scotland Yard set up a fingerprint bureau in 1901, and its own forensics lab in 1930s (but used outside scientists before that time).

Thank you, Lee, for taking the time to speak with The Wonderlings!

For more information on Lee Jackson’s books or to visit The Victorian Dictionary:

Check out his NPR Interview: http://www.npr.org/2015/03/12/392332431/dirty-old-london-a-history-of-the-victorians-infamous-filth?utm_campaign=storyshare&utm_source=facebook.com&utm_medium=social

as well as